视频
视频
取消
推荐搜索
全部
电影 没有和解
正片

没有和解

恨难解 / Not Reconciled / Not Reconciled or Only Violence Helps Where Violence Rules

影片信息

正片
  • 片名：没有和解
  • 拼音：：meiyouhejie
  • 更新：2025-03-05 00:57
  • 状态：HD中字
  • 导演：让-马里·斯特劳布/达尼埃尔·于伊耶/
  • 主演：Heinrich Hargesheimer/Carlheinz Hargesheimer/Martha Staendner/达尼埃尔·于伊耶/Henning Harmssen/Ulrich Hopmann/Joachim Weiler/Eva-Maria Bold/Hiltraud Wegener/Ulrich von Thüna/Ernst Kutzinski/Karl Bodenschatz/Heiner Braun/Georg Zander/Lutz Grubnau/若阿内斯·巴尔斯基/保罗·埃塞尔/
  • 年份：1965
  • 地区：其它
  • 类型：剧情/
  • 时长：内详
  • 上映：1965-07-04
  • 语言：其它
  • 简介：　　The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
1965/其它/剧情 /1965-07-04上映/其它/
  • 0

  • 在线观影(www.lxinbolimian.com)永久免费观看,收藏网址,追剧从此不迷路~

  • 扫一扫用手机访问

 立即播放  极速播放-F1

选择来源

  • 极速播放-F1
  • 极速蓝光-F2
  • 超清极速-lz
  • 极速播放-lz
  • 备用线路-W
4.0
网友评分
  • 很差
  • 较差
  • 还行
  • 推荐
  • 力荐
豆7.4 705次评分
4.0
网友评分
  • 很差
  • 较差
  • 还行
  • 推荐
  • 力荐
豆7.4 705次评分
给影片打分 《没有和解》
  • 很差
  • 较差
  • 还行
  • 推荐
  • 力荐
我也要给影片打分

扫一扫用手机访问

首页 电影 剧情片 没有和解

播放列表

 当前资源来源极速播放-F1 - 在线播放,无需安装播放器
 倒序
 极速播放-F1  极速蓝光-F2  超清极速-lz  极速播放-lz  备用线路-W

下载列表

 倒序
 http下载
全选迅雷批量下载 没有迅雷？点击下载 > 没有安装迅雷？点击这里下载最新版迅雷 >
下载帮助：tip提示信息

剧情简介

　　The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands. 展开

为你推荐

 换一换
 换一换

评论

共 0 条评论
还可以输入200

当前暂无评论，赶紧抢个沙发

剧情片排行榜

更多